Yaratıcı Okuma Öyküleri 06 İkiz Çocuk Kalbi (Kapak değişebilir) Necmi Halil Aytan indir

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Yaratıcı Okuma Öyküleri 06 İkiz Çocuk Kalbi (Kapak değişebilir) Necmi Halil Aytan indir

Yaratıcı Okuma Öyküleri 06 İkiz Çocuk Kalbi (Kapak değişebilir) Necmi Halil Aytan ücretsiz indir

Senin de bir ikiz kardesin olsun ister miydin? Çevrendekiler seni ikiz kardesinle kiyaslasa neler hissederdin? Bir seçim yapmak zorunda kalsan neye göre tercih yaparsin? Sence insan isterse degisebilir mi? Sen neyi degistirmek isterdin? Bu kitapta, ögrenciye davranis seklini, insanin kisisel tercihlerini, dogru yönlendirilen birisinin hayatta neler yapabilecegini, sorumlulugun önemini ve kiyaslanmanin nasil bir duygu oldugunu bulacaksin.

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Yaratıcı Okuma Öyküleri 06 İkiz Çocuk Kalbi (Kapak değişebilir)

alrightok

Texas

Maybe it was just the mood I was in, but this book was simply delightful. I've put it on my read again shelves because I'm hoping if I go back and read it again, it will still be just as much fun as the first time around. I wanted to cry in the first couple chapters and then laughed the rest of the way through the book. I've always wanted to live in the south and experience Southern grace and charm and living, which could perhaps explain why I enjoyed it so much. I thought Hoffman did a wonderful job of developing CeeCee and Oletta's relationship, as well as writing the other women who held CeeCee together. I was reading it in the kitchen part of my classroom while my student teacher was in the other room and she asked me in between classes what I was giggling about. I had to tell her it was this book! It nothing life changing and its not going to win any awards, it was simply simple. And I liked that.

2023-02-04 14:52

soontreenz47a0

Lane, IL, USA

I remembered this play as being nothing more than a superb melodrama organized around a charismatic, one-dimensional villain, but I now realize it is more complex than that. Richard's deformity is not merely a physical sign of spiritual evil, but also a metaphor for the twisted era of internecine and intra-generational violence of which he himself is the inevitable conclusion. Richard claims that his disability disqualifies him for a peaceful age's love-making, but his effective wooing of Lady Anne--literally over her husband's dead body--belies this claim. No, Richard, who from infancy has known nothing but civil war and betrayal, can only be effective when he is either murdering his Plantagenet relatives or plotting to do so. (Thus, when he finally becomes king, he can neither enjoy the honor nor rise to the challenge, and therefore is soon plagued with nightmares and consigned to destruction.) Richard fancies himself as the medieval Vice, commenting sardonically to the audience on the action he has devised, heedless of the fact that he is also part of a universal moral design. Richard, who embodies in concentrated form the worst deeds of his time, must be purged so that a new age can be established. It is here that the women of the play become important, transforming it into Senecan if not Sophoclean tragedy. In periodic choruses, the queens Margaret, Elizabeth and Anne (plus the Duchess of York) mourn their children and others who have been snatched from them by civil war, and call down vengeance on Richard and other murderers. The interesting thing about this chorus, however, is that it is not composed of unified expressions of grief and vengeance, for the woman continually curse and blame each other, each proclaiming her own sorrow as somehow superior to that of the others. Ironically, the age's long history of crimes against mothers deprives even maternal grief of its unity. I believe this is Shakespeare's first self-conscious attempt to create tragedy--in the classical sense--out of popular drama. The conception of the women's chorus--both a traditional tragic chorus and at the same time something more personal, more ironic--is particularly impressive in this regard. Unfortunately, however, Shakespeare overreached himself. In execution, the chorus of queens is often whiny and wearying, and slows down the action without illuminating it. Nevertheless, it is a great step toward the tragic resonances of the major plays.

2022-11-14 18:26

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