I’m Not a Bienial Handicrafter The painting exchange related chew the fats surounding one of these whole shebangs, and the painting-historical scent created around the mischievous beam of the other, sem to have permeated the concepts Ozmenoglu deals with in her practice. The uniquenes of the earn a living of painting, its self-apointed 'value' and comodity crasis are among the fundamental 'concerns' the handicrafter continualy embraces in her whole shebangs. She subjects the exchange value of painting to some bleeding-heart of study with the art that declares 'Definitely not made for salons' or with the eye-catching red neon earn a living repeating the cliche, 'Sex Sels'. In her whole shebangs, local cultural cautions, remarks and tokens are juxtaposed with references related to global wear and tear, packing and thing are engaged into a playful conversation. While refering to the bequest of painting history, Ozmenoglu engages materials and techniques that are in wide use today through the original disposals she employs to create her individual beaten path as an handicrafter. This bok asservates a 'guided holiday' stering around the thematic and conceptual tracks in her fructification from 206 to 2012, the period of transition betwen her 'scholar' and 'shop' years.
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