Julie Kelso Kelso itibaren Chak 35, Pakistan
Söyleyebileceğim tek şey ... son olarak, beni alan biri !! Herkese bu kitabı tavsiye ettim .. Teşekkürler! Hem içe dönük hem de dışa dönüklerin enerji tasarrufu ve harcaması konusunda çok pratik bir okuma. Bu kitabı okuduktan sonra, içe / dışa dönük bir çerçevede kendi ve diğer ilişkilerinizde birçok çatışma göreceksiniz. Mükemmel. Mükemmel kitap !!
Bunu birkaç ay öncesine kadar okumadığımı söylemeye neredeyse utanıyorum. Ama Orwell'in alaycı kişiliklerini takdir ettiğim için 23. yılımda özellikle dikkat çeken bir şey beklediğime sevindim. Kuzuları getirin.
This story had a dark and depressing theme, but it didn't drag me down. I feel like the author did a good job of bringing out the good in the characters which gave it an uplifting element that made the topic tolerable. This book made me grateful to be an American and the freedoms we have.
Ejemplo de sobrevaloración crítica. Literatura "del momento", siempre brillante, pero que envejece mal.
A poor man's Neverwhere. I'll admit that I stopped reading after 115 pages. I read several glowing reviews of this, saying it was going to rescue us in this, the time of no-more-harry-potter. And lookee! It has female protagonists! But no. A typical adventure/sci-fi premise: someone from our world gets transported to a different world and must save something/do a quest. a) It is, at least in the first 115 pages, entirely plot-driven. I know nothing about what separates the two main characters from one another--they're both young girls from London, and other than physical differences, they talk alike and seem to think alike. The other characters are defined for you; they do not have characters and backstory, they just are. Sometimes their "properties" and abilities are defined, but that's about it. The 115 pages I read were propelled entirely by one plot point after another. One of the great things about The Golden Compass series is that the characters are so rich and familiar--there is love and compassion and yearning--those are what drives the narrative. b) Sadly, I think this book suffers from "sci-fi syndrome". Given that I have no personalities to sink my teeth into, I need to be able to grab onto some part of this world. In many sci-fi books--and this is no exception--the author is so busy cleverly creating new creatures, new worlds, and new vocabularies, that they don't notice they've given readers a whole lot of homework. When a paragraph contains 5-6 made up words describing scenery, characters, or the quest, the reader (me) gets bogged down. I felt like I was slogging through a foreign language. Neil Gaimen's Neverwhere treads similar territory--London, but not--and does it in a much more character-driven, riveting, terrifying way. If you're looking for an un-London experience, go read that instead.